2,444 Free Artworks of Drawings Of Architectural Ornaments

department of drawings and prints, metropolitan museum of artmetropolitan museum of artthe power of form applied to geometric tracery (1851)etching printthe elisha whittelsey collectionbaroqueetching and engravingpen and brown inkpier francesco molagiovanni battista mola
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14777611331), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780380562), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14594000160), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14778054664), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14777565611), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780465815), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593993648), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14778203954), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14757549506), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14777504591), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14777238481), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593757340), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593968128), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593879248), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14777271861), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780530445), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14778224004), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14594097748), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14778286754), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14757469566), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14594039290), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14757530936), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14800502753), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593782020), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14757689986), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780476055), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14778053104), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14800461033), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14778336764), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593955608), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14777436951), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780253082), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14594021288), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14800386213), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14594036160), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780539405), 1851
the power of form applied to geometric tracery (1851)
Auricular Cartouche with Figures within a Strapwork Frame from Veederley Veranderinghe van grotissen ende Compertimenten. Libro Primo, 1556
'veelderleij veranderinghe van grotissen ende compertimenten', after cornelis florisrenaissance
Costume Design Portfolio for the Play 'Captain Jinks of the Horse Marines', Percy Anderson, 1901
department of drawings and prints, metropolitan museum of artpercy anderson
Design for a Lavabo, Plate 85 from Dietterlin's Architectura, Wendel Dietterlin, 1598
wendel dietterlinmannerism
Design for a Cartouche, Plate from Dietterlin's Architecttura, Wendel Dietterlin, 1598
wendel dietterlinmannerism
Text to accompany plate illustrating the fireworks display celebrating the birth of Prince Max Emmanuel of Bavaria, Munich, 1662, Mathäus Küsel
department of drawings and prints, metropolitan museum of artmatthäus küsel
Theatrical scene with four figures on a staircase in the distance, two of which are engaged in a brawl, Mathäus Küsel, circa 1660–82
department of drawings and prints, metropolitan museum of artmatthäus küsel
The Piazza del Popolo (Veduta della Piazza del Popolo), Giovanni Battista Piranesi, circa 1750
etchings by giovanni battista piranesineoclassicism
Design for a Fountain, plate 80 from Dietterlin's Architettura, Wendel Dietterlin, 1598
wendel dietterlinmannerism
A moorish patio, John Singer Sargent, 1879
drawings by john singer sargentimpressionism
Album Containing Architectural, Ornament, and Figure Drawings., Pier Francesco Mola, 1630–31
pier francesco molabaroque
Album Containing Architectural, Ornament, and Figure Drawings., Pier Francesco Mola, 1630–31
pier francesco molabaroque
Album Containing Architectural, Ornament, and Figure Drawings., Pier Francesco Mola, 1630–31
pier francesco molabaroque
Album Containing Architectural, Ornament, and Figure Drawings., Pier Francesco Mola, 1630–31
pier francesco molabaroque
Album Containing Architectural, Ornament, and Figure Drawings., Pier Francesco Mola, 1630–31
pier francesco molabaroque
Album Containing Architectural, Ornament, and Figure Drawings., Pier Francesco Mola, 1630–31
pier francesco molabaroque
Album Containing Architectural, Ornament, and Figure Drawings., Pier Francesco Mola, 1630–31
pier francesco molabaroque
Album Containing Architectural, Ornament, and Figure Drawings., Pier Francesco Mola, 1630–31
pier francesco molabaroque
Album Containing Architectural, Ornament, and Figure Drawings., Pier Francesco Mola, 1630–31
pier francesco molabaroque
Fontana in Piazza Navona [Fontana dei Quattro Fiumi]. From 'La Fontane di Roma nelle Piazze e Luoghi Publici (...)'., Giovanni Battista Falda, 1691 or after
works by giovanni giacomo de rossigiovanni battista falda
Fontana del Sig. Prencipe di Pallestrina (...). From 'La Fontane di Roma nelle Piazze e Luoghi Publici (...)'., Giovanni Battista Falda, 1691 or after
works by giovanni giacomo de rossigiovanni battista falda
Festivitates Aurifabris (...) / Various Snakeryen service for Goutsmits, Sculptors, Stonecutters, and all who love the const (Plate 4), Jacob Lutma, 1654–78
johannes lutma (i)jacob lutma
Festivitates Aurifabris (...) / Various Snakeryen service for Goutsmits, Sculptors, Stonecutters, and all who love the const (Plate 7), Jacob Lutma, 1654–78
johannes lutma (i)jacob lutma
Embroidery Pattern with Seven Six-pointed Stars and Four Corner Pieces, Albrecht Dürer, before 1521
the sixth knot by albrecht dürergerman renaissance
The dark and difficult passages of Vitruvius' Ionian work. Translated from Vulgar Latin and to the clear intelligentsia., Giovanni Battista Bertani, 1558
marcus vitruvius polliomannerism
Cabinet de Mr le Compte Bielinski, from 'Oeuvres de Juste Aurelle Meissonnier', Juste-Aurèle Meissonnier, circa 1742–48
works by juste-aurèle meissonnierpierre chenu
The Singular and New Portraits... Part I title page (recto), Federico de Vinciolo, 1588
les singuliers et nouveaux pourtraicts et ouvrages de lingerie (1587)department of drawings and prints, metropolitan museum of art
Schön Neues Modelbuch (Title Page, 1 recto), Johann Siebmacher, 1597
schön neues modelbuch von allerleÿ lustigen mödeln naczunehen zuwürcken unn zustikken (1597) by johann siebmacherdepartment of drawings and prints, metropolitan museum of art
Images of the main buildings from all those arranged by Philips Vingboons, Johannes Vingboons, 1648
afbeeldsels der voornaemste gebovwen, uyt alle die philips vingboons geordineert heeftjohannes vingboons
Plate 17: Aeneas welcomed by King Euandrus in Italy; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...', Cornelis Galle the Elder, 1636
department of drawings and prints, metropolitan museum of artcornelis galle (i)
Plate 11: Ferdinand greeted by the Elector of Cologne; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...', Cornelis Schut, 1636
department of drawings and prints, metropolitan museum of artpieter de jode (ii)
View of ruins, possibly the Baths of Caracalla, from the series 'The Small book of Roman ruins and buildings' (Operum antiquorum romanorum), Hieronymus Cock, 1561
hieronymus cockrenaissance
Bird in shell at the center of the lintel, with a frieze of trophies, surmounted by an overmantel with candelabra and flanked by chairs. (Ch. décorée d'une frise de casques et d'armures . . .), Giovanni Battista Piranesi, circa 1769
etchings by giovanni battista piranesineoclassicism
Plate 2: Two-handled vase with a nude figure on a pedestal at center, from Antique Vases (‘Vasa a Polydoro Caravagino’), Cherubino Alberti, 1605
prints by cherubino albertibaroque
Title page depicting a two-handled base with dancing nymphs, from Antique Vases (Vasa a Polidoro Caravagino), Polidoro da Caravaggio, 1605
department of drawings and prints, metropolitan museum of artprints by cherubino alberti
Grotesque Design with an Octagonal Panel in the Center and Two Griffins Drinking from PLates held up by a Hybrid Creature (recto); Two Turtles above a Scene with Four Figures (verso), Andrés de Melgar, circa 1545–60
department of drawings and prints, metropolitan museum of artdrawings by andrés de melgar
Grotesque Design with an Octagonal Panel in the Center and Two Griffins Drinking from PLates held up by a Hybrid Creature (recto); Two Turtles above a Scene with Four Figures (verso), Andrés de Melgar, circa 1545–60
department of drawings and prints, metropolitan museum of artdrawings by andrés de melgar
Grotesque Design with an Octagonal Panel in the Center and Two Griffins Drinking from PLates held up by a Hybrid Creature (recto); Two Turtles above a Scene with Four Figures (verso), Andrés de Melgar, circa 1545–60
department of drawings and prints, metropolitan museum of artdrawings by andrés de melgar
Ornament met bloemen, een vaas en putti, BI-1926-517-59(R), Jacob Toorenvliet, circa 1701
drawings by jacob toorenvliet in the rijksmuseum amsterdamjacob toorenvliet
Altra Veduta della Fontana in Piazza Navona [Fontana dei Quattro Fiumi]. From 'La Fontane di Roma nelle Piazze e Luoghi Publici (...)'., Giovanni Battista Falda, 1691 or after
works by giovanni giacomo de rossigiovanni battista falda
The Singular and New Portraits... Part I title page (verso), Federico de Vinciolo, 1588
les singuliers et nouveaux pourtraicts et ouvrages de lingerie (1587)department of drawings and prints, metropolitan museum of art
Catafalque for Pope Clement X; central structure at the top of a fifteen step platform, with columns surmounted by candelabra at each of the four corners, Giovanni Battista Falda, 1676
department of drawings and prints, metropolitan museum of artgiovanni battista falda
Costume of an Indian Woman from the Ballet "Triumph of Love" (Habit d'Indienne du balet du Triomphe de l'amour), Juan Dolivar, 1681–92
jacques le pautrejuan dolivar
Plate 4: Vase or Ewer with a Frieze containing mermaids and centaurs, and below a lion's head with garlands and ribbons, from Antique Vases (‘Vasa a Polydoro Caravagino’), Cherubino Alberti, 1605
prints by cherubino albertibaroque
Plate 6: Ferdinand receiving the keys to the city of Ghent; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...', Pieter de Jode II, 1636
department of drawings and prints, metropolitan museum of artpieter de jode (ii)
Plate 6: Vase or Ewer with a Frieze Containing Naked Figures, Supported Below by Two Female Sphinxes, from Antique Vases (Vasa a Polydoro Caravagino), Cherubino Alberti, 1605
prints by cherubino albertibaroque
Plate 9: Vase or Ewer with a Serpent Handle and Two Putti holding up a Garland, from Antique Vases (‘Vasa a Polydoro Caravagino’), Cherubino Alberti, 1605
prints by cherubino albertibaroque
Costume of Endymion from the Ballet "Triumph of Love" (Habit d'Andimion du balet du 'Triomphe de l'amour), Juan Dolivar, circa 1681
jean berain ijuan dolivar
Costume of Endymion from the Ballet "Triumph of Love" (Habit d'Andimion du balet du 'Triomphe de l'amour), Juan Dolivar, circa 1681
jean berain ijuan dolivar
Title Page to 'Scenery of the Principal Dutch Houses and Gardens of Pleasure, Depicted from Life', Carel Allard
department of drawings and prints, metropolitan museum of artcarolus allard
Plate 8: Vase or Ewer Decorated with a Satyr Figure, Behind Two Cornucopias, and Two Winged Victory Figures, from Antique Vases (‘Vasa a Polydoro Caravagino’), Cherubino Alberti, 1605
prints by cherubino albertibaroque
Fireworks display in the honour of Prince Octavio Piccolomini, Duke of Amalfi, celebrating the end of the Thirty Years War, Nuremberg, 1650, Michael Herr
peter troschelmichael herr
Amphitheater with two groups of soldiers running toward each other; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artludovico burnacini
Fireworks celebrating the erection of the Temple of Glory and equestrian statue of Louis le Grand, Paris 1699, Nicolas Guérard
17th-century artwork by unknown artists from francenicolas guerard
Design for a Panel with Two Variants containing a Satyr and a Sphynx, from: Panneaux d'ornement, Jacques van Merlen
jacques van merlenjean le pautre
Design for a Fireplace Surmounted by Sphyxes and Cupid, Title Page from: Nouveaux dessins de cheminées à l'italienne, Nicolas Langlois (I), circa 1640–82
nicolas langloisjean le pautre
Design for a Frieze with Acanthus Scrolls and a Vase with Two Putti in the Center, Gilles-Paul Cauvet, circa 1777
gilles-paul cauvetle roy
Design for a Tabernacle with Two Variants, from: Tabernacles à l'italienne, Jean Leblond, circa 1644–66
jean le pautrejean leblond i
Plate 3: The Marriage of Henry IV and Marie de Medici, from Caspar Barlaeus, "Medicea Hospes", Claes Corneliszoon Moeyaert, 1638
department of drawings and prints, metropolitan museum of artengravings by nicolaes moeyaert
Triumphal arch erected in honor of Cardinal Mazarin after the Treaty of the Pyrenees, François Chauveau, circa 1664–5
department of drawings and prints, metropolitan museum of artfrançois chauveau
The royal family sitting under a canopy, watching dancers perform the final ballet of 'La Costanza d'Ulisse', Johann Ulrich Kraus, circa 1700
johann ulrich kraußludovico burnacini
Stage design with allegorical figures; from 'L'Idea di tutti le perfezioni ... Piacenza', Carlo Antonio Forti, circa 1690
department of drawings and prints, metropolitan museum of artcarlo antonio forti
Marsh of Triton; figures battling as Minerva looks on from above; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artludovico burnacini
Oval Case Decorated with Schweifwerk in Two Variants, Surrounded by Smaller Motifs, Flowers and Two Birds Below, Pierre Firens, circa 1614–19
pierre firens ijacques hurtu
Bust of Sol surrounded by strapwork, from the series 'Deorum dearumque,' a set of images of deities after coins in the collection of Abraham Ortelius, Gerard Groenning, 1573
joannes van doetecum (i)lucas van doetecum
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